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michael berkeley - composer & broadcaster website compiled and designed by thomas daly previous play next stop mute max volume repeat shuffle update required to play the media you will need to either update your browser to a recent version or update your flash plugin . home events works recordings reviews articles private passions royal ballet biography contact tweets by @michaelberkele2 summer concerts at plush, lake district and presteigne festivals the lake district summer music festival opened on 28 july, including three works by michael berkeley: re-inventions , build this house and the world premiere of a dark waltz . on friday 3 august, tim horton performs haiku at the plush festival in dorset in an innovative concert that mixes early and present-day repertoire including works by stockhausen, kurtag and gedualdo. on 23 august, the presteigne festival opens in wales . aside from a major appreciation of baltic music, the festival includes a wonderfully wide variety of music – three pieces by michael berkeley together with works by j s bach, haydn, mozart, beethoven, brahms and schubert. a baltic celebration: pre-concert talk a free pre-concert talk for 'a baltic celebration', which begins at 7.45pm in st. andrew's church. with david wordsworth and guests. a baltic celebration: pre-concert talk takes place at assembly rooms , presteigne , ld8 2ad , wales on sunday 26 august 2018 at 7.00pm . tickets available from presteigne festival , tel: 01544 267800. private passions wins voice of listener and viewer award michael berkeley (centre) with the private passions production team and radio 3 controller alan davey (left) bbc radio 3's private passions , presented by michael berkeley, has won the voice of the listener and viewer award for excellence in broadcasting. the programme came out on top in the best radio music and arts category, with other nominees including desert island discs , in tune and soul music . the nominations were voted on by vlv members and the awards were presented by broadcaster jon snow at the vlv spring conference in piccadilly, london, on april 19th 2018. two farewells receives world premiere in moscow boris andrianov, michael berkeley and john axelrod at the premiere of two farewells with the new russia state symphony orchestra two farewells for solo cello and orchestra revisits and recasts music written for cello in memory of the recently departed. it was created for the cellist, boris andrianov, for his vivacello festival which took place in november 2017 in moscow. the piece opens with an anguished cello line at the very top of the register, barracked by repeated notes on tympani and brass, a deliberate nod to the insistent use of repeated notes in beethoven. this leads to the first farewell, an orchestrated version of the melody in at a solemn wake for cello and piano which was written in memory of my first wife, deborah rogers, who died suddenly in 2014. music from the opening is then developed, taking us to the second farewell: ode - in memoriam, for solo cello but heard now in an orchestral setting. it was written following the early death of a dance collaborator of mine, lesley-anne sayers who worked as a researcher at the trinity laban conservatoire of music and dance where the piece was subsequently choreographed and danced. for me ode also marked the premature passing of another close friend, robert sandall, who was rock critic for the sunday times. two farewells is not then a concerto in the sense of conventional structure (it is in one movement lasting around 17 minutes) but the soloist does have the role of protagonist, in this case a grieving figure, and the orchestra, by turns, supports or acts as a counter force. in the ode section i became particularly intrigued by the opportunity to add harmonies and counter melodies where previously they had only been implied. in the closing pages the solo cello is confronted yet again by unyielding beethovenian repetition. indeed the score uses a classical orchestra as inherited by beethoven from mozart and haydn - double woodwind, two trumpets, two horns, tympani and strings. by michael berkeley, november 2017 two farewells receives world premiere in moscow took place at tchaikovsky concert hall , 4/31, triumfalnaya pl. , moscow , 125047 , russia on monday 13 november 2017. • michael berkeley composer profile by vivacello tre voci's performance of 'sonnet to orpheus' is critically acclaimed 'sonnet to orpheus' from 'three rilke sonnets' was performed by natalie clein (cello), julius drake (piano) & fleur barron (mezzo-soprano) at king's place on saturday 30 september 2017. ‘ rapture was a mood struck often during the evening. it was there in the 2nd of michael berkeley's three rilke sonnets, where voice and cello (the piano now silent) mirrored the tender feeling of loss in the poem. the ending, where cello and voice seemed to resist the urge to meet on the same note, and then finally yielded to it, was the most intense moment of the evening. ’ ivan hewett , telegraph ‘ perhaps best of all was michael berkeley's 'sonnet to orpheus', the second (originally for soprano and solo viola) of the composer's 'three rilke songs' in which, seated side by side, clein and barron powerfully communicated the quiet pathos of the poet-speakers search for the elusive, ethereal 'almost-girl' whose song invades his ear, 'where is her death?', 'where will i find her?' ’ claire seymour , seen and heard international touch light and stabat mater disc shortlisted for gramophone awards delphian's 2016 release has been shortlised for the 2017 gramophone awards. writing in gramophone magazine, marc rochester described touch light , performed by the marian consort and the berkeley ensemble, as "a deliberate attempt to evoke the 'rapturous love duets' of monteverdi and purcell and 'a homage to these masters of early opera'. the musical language is far removed from the 17th century but the sense of great almost erotic rapture is beautifully created by zo brookshaw and rory mccleery in a performance of shimmering intensity." read the full review here . in a concert at holy trinity church in blythburgh, suffolk on march 25, touch light was partnered with lennox berkeleys stark and affecting stabat mater the setting of the medieval poem reflecting on the suffering of christs mother by the cross commissioned by (and dedicated to) britten, who conducted its uk premiere in the church nearly 70 years ago. also on the programme was lennox berkeleys a cappella mass, brittens own settings of medieval poetry and the quicksilver exuberance of his youthful sinfonietta. performed by the marian consort and the berkeley ensemble, conducted by david wordsworth. after the performance the ensembles moved to snape maltings to record the stabat mater and touch light , together with lennox berkeley's mass for five voices for delphian records, released on 22 july 2016. "commissioned by britten as a "touring" companion piece to the first performances of the rape of lucretia in 1948, stabat mater shows lennox berkeley at his most beguilingly austere, with quasi-medieval vocal writing - rory mccleery's alto solo is outstanding - fastidiously embroidered by chamber ensemble. his a cappella mass and judica me are followed by a beautiful piece for soprano, alto and string quintet written for a wedding by his son, michael." — hugh canning, sunday times "michael berkeley's touch light (2005) looks back to the love duets to be found in the operas of monteverdi and purcell. his response is a rapturous one, richly expressive. the use of a soprano (zo brookshaw), a countertenor (rory mccleery) and a string quintet ravishes the senses. its a wonderful way to end an enlightening and enriching release, which is also excellent in terms of recording and presentation." — colin anderson, musicweb international stabat mater: sacred choral music by lennox & michael berkeley is available from presto classical . violin concerto wo

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http://www.michaelberkeley.co.uk/contact
http://www.michaelberkeley.co.uk/works/instrumental
http://www.michaelberkeley.co.uk/recordings
http://www.michaelberkeley.co.uk/reviews#tetractys-art-of-fugue
http://www.michaelberkeley.co.uk/works/instrumental#at_a_solemn_wake
http://www.michaelberkeley.co.uk/works/concerto#violin_concerto
http://www.michaelberkeley.co.uk/events
http://www.michaelberkeley.co.uk/royal-ballet
http://www.michaelberkeley.co.uk/biography
http://www.michaelberkeley.co.uk/works/brass_ensemble#champagne_fanfare
http://www.michaelberkeley.co.uk/private-passions
http://www.michaelberkeley.co.uk/works/choral_with_organ#build_this_house
http://www.michaelberkeley.co.uk/articles
http://www.michaelberkeley.co.uk/works/accompanied_song#touch_light
http://www.michaelberkeley.co.uk/works/choral_with_organ#listen_listen_o_my_child
ldsm.org.uk
bbc.co.uk
telegraph.co.uk
vlv.org.uk
publications.parliament.uk
roh.org.uk
prestoclassical.co.uk
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Domain name:
michaelberkeley.co.uk

Registrant:
Michael Berkeley

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Registered on: 05-Apr-2009
Expiry date: 05-Apr-2018
Last updated: 06-Mar-2017

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  ORGANIZATION Michael Berkeley

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  CREATED 2009-04-05

  CHANGED 2017-03-06

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  NS1.LIVEDNS.CO.UK 213.171.192.250

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  NAME michaelberkeley.co.uk

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